The Chip Bag

Posts tagged with pens

Cracking open a new sketchbook

My new sketchbook, which uses the cover of Shivers by William Schoell. The cover features a painting of a gargoyle on a roof done in a warm grey palette. A green mist winds around the gargoyle and down to the bottom of the cover. The title is printed in large gold foiled lettering behind the gargoyle.

I love making book covers out of things that otherwise would have ended up in the trash, so I couldn't pass on one of these handmade book-sketchbooks from Arsenik Press. I don't have the time or energy to bind a new sketchbook right now, so I was happy to buy this one because it's still handmade and (importantly) it looks cool.

I love the ridiculousness of 80s book covers: the typography, the painting style, the corny catchphrases, the whole thing. The jacket synopsis is as follows:

Deep beneath the city streets lurks a creature hideous beyond description, powerful beyond imagining, a creature so dangerous that it can destroy its victims by the virulence of its thoughts.

The emanations of its computer-like brain invade every sanctuary, searching for those it would destroy. It is remorseless, cunning and inhuman. The pitiful human weaklings it has chosen as prey shudder with terror and disgust, but there is no escape from the ultimate torture that is far worse than death, unless...

The first spread of the new book. I've drawn some of my supplies on the first page. The book also came with an informational insert, which I taped to the endpaper.

Transcript of insert
  • Cover
    Shivers
  • William Schoell
    1985
  • Cover artist
    Uncredited
  • Paper
    Fabriano 1264
    Watercolor 140lb

I stole the idea to draw/paint an overview of my current favorite supplies on the first page from Apple Pine. I always struggle with what to put on the first page of a sketchbook, so I like this exercise. There's no pressure to make a masterpiece, and it helps give the sketchbook... context? I guess? My previous big sketchbook was a little more clinical because I was still relearning how to use one, but I'm hoping future books will be a bit more diary-esque.

My current supply rotation includes some stuff that I haven't found the time to talk about yet, so I'll merge that into this post while it's relevant.

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Rubato Studio is living in 3025

Rubato pen (uncapped)

The pen I commissioned from Rubato. It's a clear demonstrator with plants embedded in the resin and a green grip section.

I've been enamored with Rubato Pens for a while now and finally took the plunge on commissioning a pen a few weeks ago. And now it is here!

Rubato is operated by one woman, Emi, who makes fountain pens, nib holders, and other trinkets. Her pens are made of resin with decorative inclusions that give them a distinctive look (plants, glitter, charms). They're beautiful little art pieces in of themselves, but I was primarily drawn to their functionality. They take dip nibs!

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Expensive and luxurious: The Platinum 3776

I like Platinum pens. I have a few, and they've all been great and reliable and I use them very frequently. The affordability is a huge plus (Platinum's budget pens all clock in at under 20 USD), but if you're looking to burn a little more money, there's the Platinum 3776 Century, a pen that retails in the US for around $200.

Testing the 3776 in my notebook

I had my eye on the 3776 because one of the nib options is the "soft fine," which has been described as "springy" by multiple people. What does a pen have to do to be called springy? I had to know!

Luckily for me, my local art store carries the 3776, so I got to try it out instead of perpetually wondering. The store justifiably only lets you test fountain pens on a water pad, but even then, I could tell the nib really was as springy as everyone says. I was sold! Unfortunately, they didn't carry the 3776 in green and neither did the store's flagship location, so I had to resort to online shopping. If I'm paying this much money for a pen, it needs to be green!

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